Baderin: Honest Art in Imperfect Light

Baderin is a visual artist whose work offers a glimpse into her inner mind, honest, imperfect, and deeply felt. Through her art she navigates the tension between presentation and process, acknowledging both the beauty and the struggle behind creation. Her pieces hold space for emotion, reflection, and the unseen edges of the artist’s life.

When did You First Start Making Art, and what were the Earliest things You Made?

I had always taken art class. The first time I picked up a paint brush outside of a school setting was actually a rebellious act against my parents (it is quite funny in retrospect). I was about 9 or 10 years old and renovations were going on at home. I wanted the colour of my room changed so badly but my mum’s rebuttal was I had my room painted the previous year. I picked up the painter’s brush and decided to turn my walls to a canvas and I immediately hated it but my mum made me sit with the mess for a couple of years. That incident kickstarted so much for me.

Do You see Your Work More as Expression, Reflection, or something else?

My work is a cumulation of all things: expression, reflection, observation, etc.

You’ve Posted about “Quick Decisions with Art” being Challenging how do you Manage Spontaneity vs Overthinking?

I think there’s times that call for a quick burst of action and some moments that require deeper reflection. I overthink with art a lot but the moment I do create, it’s almost always in that very moment. I barely sit on paintings and if I don’t finish them on that day, I’d take months to come back to it. The balance to it is knowing what needs to be painted in that moment, when to pick up a brush and just work to beat periods of mental blocks, when to take some more time in reflection or even searching to convey your message, and when to return back to old paintings.

How Important is the “Imperfect” or “Raw” Aspect like Admitting Bad Lighting, in how You Show Your Creative Self?

I think art is created in real time. Matter of fact, life happens in real time regardless. I just think certain things in the moment need the atmosphere of that moment. The imperfections in documenting are crucial to me because it reminds me that this is an actual real process and documentation was only the after thought and not the other way round.

What Emotions or Inner Landscapes do You want Your Art to Touch?

I think I really want my art to start to capture the times and thoughts of the social collective. So far it’s all been very personal and I create because I feel like I consume so much from the world so I don’t need to put out what necessary caters to that consumerism behaviour but also there’s so much going on in the political climate that I have thoughts about and I would love to capture with others as the focal point too (still through my lens).

How much of Your Personal Life Feeds into Your Work, Dreams, Doubts, Memories?

My art is a tale of my life really. I could tell a story of where I was at the time of creating each art work so it has all been so personal, encompassing many aspects of my life.

What Challenges have you Faced as an Artist in Making what’s Inside Visible?

The vulnerability that comes with it is not always easy and many times I create with the intention to be vulnerable but then somehow mask how raw the emotions behind each work are.

How do You see Your Work Changing as You Grow, in Style, Subject, or Voice?

When I first started creating properly, I was dealing with chronic anxiety and while art was a means of expression, it also served as a reminder so I’ve archived so much from certain periods. As I have grown and healed, I want my art to gravitate away from the very melancholic tones it had always taken and I want to create from a place of purely just being present.

Where do you Get Inspiration from? Are there Certain things you Lean to for Inspiration or Certain People or Figures in Your Life?

My faith has been a big inspiration and sometimes my art serves as almost a conversation with God. In light of this, the Holy Spirit is always a big inspiration for me, I believe God is creative and I am just my Father’s child. I’m also a big fan of Kerry James Marshall (really wish I saw his exhibition while in London but if you are there please go see it), I just think his work is very rich in capturing times.

If Someone asked You to Show One Piece that Best Represents who You are, which would it be and Why?

I did this painting ‘sitting with myself’ in 2022. I think that represents me so much as I am very introspective and reflective, hence why all I have made has been made.

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Abdulsalam Suleman ; A Voice of Reflection, A Keeper of Culture